For many years, I’ve put together a little pocket guide to the Seattle Symphony subscription season for my symphony friends to help them decide which ticket package they want. At some point, we may start subscribing again, but for now, we pick-and-choose individual concerts.
Here’s the at-a-glance season guide for the 2018/2019 season, still with no comments from me because it’s not worth trying to rate every piece to help my friends pick one concert. If you’re my friend and want recommendations, just call. Besides, you can probably preview nearly all of the pieces nowadays (minus the 21st-century stuff) by searching on YouTube.
Week | Program | 22 | 13 | 7A 7B |
8C 8D |
7E 7F |
8G | 5H | SU | BW | |||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
09/20 2018 |
Debussy: Gigues from Images Janáček: The Cunning Little Vixen Suite Beethoven: Violin Concerto |
||||||||||||
09/27 2018 |
Marc-André Dalbavie: La source d’un regard Ravel: Piano Concerto in G Debussy: Printemps Ravel: Daphnis et Chloë Suite #2 |
||||||||||||
10/11 2018 |
Schumann/Dausgaard: “Zwickauer” Symphony¹ Beethoven: Piano Concerto #1 Schumann: Symphony #2 |
||||||||||||
10/18 2018 |
Schumann: Manfred Overture Tchaikovsky: Rococo Variations Kaija Saariaho: Ciel d’hiver Beethoven: Symphony #1 |
|
|||||||||||
10/26 2018 |
Corelli: Concerto grosso, Op. 6, #1 Handel: Concerto grosso, Op. 3, #2 Muffat: Armonico Tributo #5 Purcell: Dido’s Lament Handel: Music for the Royal Fireworks |
||||||||||||
11/01 2018 |
Bartók: The Miraculous Mandarin Suite Shostakovich: Violin Concerto #2 Brahms: Symphony #1 |
||||||||||||
11/08 2018 |
Debussy: Petite suite Pascal Dusapin: At Swim-Two-Birds² Tchaikovsky: Symphony #4 |
|
|||||||||||
11/15 2018 |
Berlioz: Roman Carnival Overture Prokofiev: Piano Concerto #5 Beethoven: Symphony #5 |
||||||||||||
11/29 2018 |
Rachmaninov: Piano Concerto #2 Rimsky-Korsakov: Scheherazade |
|
|||||||||||
01/11 2019 |
W.F. Bach: Adagio and Fugue J.C. Bach: Symphony in C C.P.E. Bach: Harpsichord Concerto in d minor J.S. Bach: Italian Concerto J.S. Bach: Flute, Violin, and Harpsichord Concerto in a minor |
||||||||||||
01/17 2019 |
Sofia Gubaidulina: Offertorium Bach: “Zion hört die Wächter singen” from Cantata #140 Brahms: Symphony #3 |
||||||||||||
01/31 2019 |
Shostakovich: Symphony #1 Caroline Shaw: Piano Concerto¹ Beethoven: Piano Concerto #3 |
||||||||||||
02/14 2019 |
Dukas: The Sorceror’s Apprentice Sibelius: Violin Concerto Prokofiev: Symphony #7 |
||||||||||||
02/28 2019 |
Bach: Piano Concerto #3 Beethoven: Piano Concerto #4 Bartók: Concerto for Orchestra |
||||||||||||
03/07 2019 |
Lotta Wennäkoski: Hava Haydn: Symphony #102 Mendelssohn: Violin Concerto |
||||||||||||
03/14 | Bach: Mass in b minor | ||||||||||||
03/21 2019 |
Bach/Stokowski: Toccata and Fugue in d minor John Harbison: What Do We Make of Bach? for Orchestra and Obligato Organ Shostakovich: Symphony #15 |
||||||||||||
04/04 2019 |
Langgard: Prelude to Antichrist² Nielsen: Symphony #2 “The Four Temperaments” Brahms: Piano Concerto #1 |
||||||||||||
04/11 2019 |
George Walker: Sinfonia #5 “Visions”¹ Szymanowski: Violin Concerto #2 Dvořák: Symphony #9 “From the New World” |
|
|||||||||||
04/18 2019 |
Debussy/Joël-François Durand: Préludes¹ Ravel: Mother Goose Suite Marc-André Dalbavie: Sonnets Mozart: Symphony #40 |
|
|||||||||||
04/25 | Heiner Goebbels: Surrogate Cities¹ | ||||||||||||
05/03 2019 |
Vivaldi: Mandolin Concerto in D Telemann: Trumpet Concerto in D, TWV 51:D7 Paisiello: Mandolin Concerto in E♭ Vivaldi: Mandolin Concerto in C Kozeluch: Sinfonia Concertante in E♭ |
||||||||||||
06/08 2019 |
Hannah Kendall: The Spark Catchers² Haydn: Symphony #98 Holst: The Planets |
||||||||||||
06/13 2019 |
Wagner: Prelude to Act III of Lohengrin R. Strauss: Oboe Concerto Debussy: Jeux R. Strauss: Till Eulenspiegel |
||||||||||||
06/20 2019 |
Wagner: Prelude and Liebestod from Tristan und Isolde Debussy: Suite from Pelléas and Mélisande Debussy: Nocturnes Janáček: The Eternal Gospel |
||||||||||||
Week | Program | 22 | 13 | 7A 7B |
7C 8D |
7E 7F |
8G | 5H | SU | BW |
function filter(c) { var rows = document.getElementById(“schedule”).getElementsByTagName(“TR”); for (var i = 0; i != rows.length; i++) { var row = rows[i]; var className = row.className; if (className != “”) { if (c == ‘all’ || className.indexOf(c) != -1) { row.style.display = “”; } else { row.style.display = “none”; } } } } (function(){ var headers = document.getElementById(“schedule”).getElementsByTagName(“TH”); for (var i = 0; i != headers.length; i++) { (function(attr){ headers[i].onclick = function(){filter(attr);}; })(headers[i].className); } })(); function filter(c) { var rows = document.getElementById(“schedule”).getElementsByTagName(“TR”); for (var i = 0; i != rows.length; i++) { var row = rows[i]; var className = row.className; if (className != “”) { if (c == ‘all’ || className.indexOf(c) != -1) { row.style.display = “”; } else { row.style.display = “none”; } } } } (function(){ var headers = document.getElementById(“schedule”).getElementsByTagName(“TH”); for (var i = 0; i != headers.length; i++) { (function(attr){ headers[i].onclick = function(){filter(attr);}; })(headers[i].className); } })();
¹ World Premiere
² U.S. Premiere
Insider tip: Click a column header to focus on a specific series. (This feature has been around for several years, actually.)
Legend:
22 | Masterworks 22-concert series (Choice of Thursdays or Saturdays) |
13 | Masterworks 13-concert series (Choice of Thursdays or Saturdays) |
7A | Masterworks 7-concert series A (Thursdays) |
7B | Masterworks 7-concert series B (Saturdays) |
8C | Masterworks 8-concert series C (Thursdays) |
8D | Masterworks 8-concert series D (Saturdays) |
7E | Masterworks 7-concert series E (Thursdays) |
7F | Masterworks 7-concert series F (Saturdays) |
8G | Masterworks 8-concert series G (Sunday afternoons) |
5H | Masterworks 5-concert series H (Friday afternoons) |
SU | Untuxed (Fridays, reduced program) |
BW | Baroque and Wine (Choice of Fridays or Saturdays) |
For those not familiar with the Seattle Symphony ticket package line-ups: Most of the ticket packages are named Masterworks nX where n is the number is the number of concerts in the package, and the letter indicates the variation. Ticket packages have been combined if they are identical save for the day of the week. For example, 8C and 8D are the same concerts; the only difference is that 8C is for Thursday nights, while 8D is for Saturday nights.
This chart doesn’t include concert series such as the Distinguished Artists series which share no concerts with any of the Masterworks concerts.
Notes and changes:
- The 7[AB], 8[CD], and 7[EF] concert series do not overlap, so you can create your own pseudo-series by taking any two of them, or recreate the 22-concert series by taking all three.
- The 13-concert series is the same as the 8[CD] and 7[EF] series combined, minus the March 7 and April 11 concerts.
- The regularly-scheduled Saturday evening concert for the weekend of 01/17/2019 will be held on Friday at 8pm, and the regularly-scheduled Saturday evening concert for the weekend of 02/28/2019 will be held on Sunday at 2pm. Furthermore, the regularly-scheduled Sunday afternoon concert for the weekend of 03/07/2019 will be held on Friday at 8pm.
- There are always one-off concerts scattered through the year. Here are some highlights:
- A two-concert Brahms Concerto Festival covers the entire concerto cycle.
- The Amadeus Live concert screens the Academy Award-winning film with live accompaniment from the symphony.
- The Seattle Symphony has a ticketing program called Family Connections which provides free symphony tickets for up to two children with the purchase of an adult ticket.
- I don’t know when they started doing it, but the Seattle Symphony program now includes estimated running times for each piece. You can see examples in this month’s program.
- This is the final season for Ludovic Morlot, concluding eight years as the symphony’s music director.
Bonus chatter: The estimated running times are a nice touch. I considered with amusement what it would be like if the estimates updated dynamically. “Oh no, he’s taking the repeat in the Bruckner! Recalculating…”
0 comments