The 2007/2008 Seattle Symphony subscription season at a glance

Raymond Chen

Raymond

Every year, I put together a little pocket guide to the Seattle Symphony subscription season for my symphony friends to help them decide which ticket package they want. As before, you might find it helpful, you might not, but here it is anyway.

WeekendProgramComments18129A9B6A6B6C6D6E4A4BMSMMPC
09/27/2007 Bright Sheng: Tibetan Love Songs
Shostakovich: Violin Concerto #1
Tchaikovsky: Symphony #4
Nervous?
Good
Excellent
              
10/04/2007 Stravinsky: Pulcinella
Bartók: Violin Concerto #1
Schumann: Symphony #2
Excellent
Okay
Excellent
              
10/12/2007 Mozart: RequiemExcellent              
10/25/2007 Beethoven: Creatures of Prometheus Overture
Mozart: Piano Concerto #23
Beethoven: Coriolan Overture
Schubert: Symphony #2
Good
Awesome
Excellent
Awesome
           

 
 
 
  
11/01/2007 Stravinsky: Jeu de cartes
Ravel: Piano Concerto in G
Fauré: Pelléas et Mélisande
Debussy: Ibéria (Images)
Okay?
Excellent
Good
Excellent
              
11/08/2007 Brahms: Piano Concerto #1
Brahms: Symphony #2
Awesome
Awesome
 
 
             
11/10/2007 Brahms: Piano Concerto #2
Brahms: Symphony #4
Awesome
Excellent
 
 
             
11/15/2007 Britten: Russian Funeral
Liszt: Piano Concerto #2
Shostakovich: Symphony #11 “The Year 1905”
Nervous?
Excellent
Polarizing?
              
11/29/2007 Corelli: “Christmas” Concerto
Vivaldi: Concerto for Two Cellos
Granger: Molly on the Shore
Tchaikovsky: Nutcracker (excerpts)
Good
Good
Excellent
Awesome
              
01/03/1008 Beethoven: Leonore Overture #2
Mozart: Piano Concerto #20
Beethoven: Symphony #5
Excellent
Awesome
Awesome
           

 
 
  
01/17/2008 Mozart: Symphony #1
Mozart: Concertone for Two Violins
Mozart: Violin Concerto #3
Haydn: Symphony #102
Excellent
Good
Excellent
Awesome
              
01/31/2008 Brahms: Tragic Overture
Schönberg: Pelléas und Mélisande
Brahms: Symphony #1
Excellent
Nervous
Awesome
              
02/07/2008 Varèse: Intégrales
Herbert: Cello Concerto #2
Rachmaninov: Symphony #3
Nervous
Good
Okay
           

 
 
  
02/14/2008 Wagner: Die Meistersinger (Excerpts)
Samuel Jones: Horn Concerto†
Dvořák: Symphony #9 “New World”
Good
Nervous?
Awesome
              
02/28/2008 Mozart: Symphony #38
J. C. Bach: Flute Concerto
Beethoven: Symphony #4
Awesome
Good?
Excellent
              
03/13/2008 Kernis: World Premiere
Glazunov: Violin Concerto
R. Strauss: Symphonia domestica
Wildcard?
Excellent
Polarizing
           
 

 
  
03/20/2008 Bach: Mass in b minorGood              
03/27/2008 Liszt: Prometheus
Tchaikovsky: Piano Concerto #1
Saint-Saëns: Symphony #3 “Organ”
Okay
Awesome
Excellent
              
04/03/2008 Bruch: Violin Concerto #1
Bruckner: Symphony #5
Excellent
Nervous
              
04/17/2008 Mozart: Don Giovanni Overture
Mozart: Piano Concerto #27
Schubert: Symphony #9 “The Great”
Excellent
Awesome
Excellent
              
04/24/2008 Mendelssohn: Sinfonia #10 in b minor
Dvořák: Cello Concerto
Sibelius: Symphony #1
Excellent?
Awesome
Good
              
05/04/2008 Vivaldi: The Four SeasonsAwesome              
05/29/2008 Martinú: Symphony #3
Korngold: Violin Concerto
Various: Genesis Suite (Chihuly visuals)
Nervous?
Okay
Nervous?
              
06/05/2008 Weill: The Little Mahagonny
Bartók: Concerto for Orchestra
Good
Excellent
              
06/12/2008 Prokofiev: Alexander NevskyPolarizing?              
06/19/2008 Hindemith: Concert Music for Strings and Brass
Bloch: Schelomo, Hebraic Rhapsody
Franck: Symphony in d minor
Nervous
Nervous?
Excellent
           

 
 
  
06/26/2008 Wagner: Prelude and Liebestod (Tristan and Isolde)
Mahler: Symphony #6
Polarizing
Polarizing
              
   18129A9B6A6B6C6D6E4A4BMSMMPC
† Premiere
MS Musically Speaking
MM Mainly Mozart
PC Popular Classics

Notes:
This chart doesn’t include “one-off” concert series such as the Visiting Orchestras or Distinguished Artists series.
Explanations for the partial blocks: The 18A series gets the 11/8 program; 18B gets 11/10. The Musically Speaking concerts typically omit one of the pieces from the evening program, substituting on-stage commentary.
The comments column very crudely categorizes the works to assist my less-classically-aware friends. This is, of course, a highly subjective rating system, but I tried to view each piece from the ears of somebody new. Thus, I rated downward pieces that I personally like but which others might not and rated up pieces that I may not find musically satisfying but which nevertheless tend to be crowd-pleasers. These predictions have, of course, proven wrong in the past. For example, this season, my rating of “Okay” for Copland’s Music for the Theatre was too optimistic.

Here’s what the comments mean. Note that they do not indicate whether the piece is significant in a musicological sense; they’re just my guess as to whether my friends are going to like it.

  • Awesome: Guaranteed crowd-pleaser.
  • Excellent: You will definitely like this piece.
  • Good: You will probably like this piece.
  • Okay: You may like this piece.
  • Nervous: I have a bad feeling about this one.
  • Polarizing: Some people will love it; others will hate it.
  • Wildcard: I have no idea what will happen.

A question mark means that I am not familiar with the piece and am basing my evaluation on what I know about the composer (or am just guessing).

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