{"id":25463,"date":"2007-08-22T10:00:01","date_gmt":"2007-08-22T10:00:01","guid":{"rendered":"https:\/\/blogs.msdn.microsoft.com\/oldnewthing\/2007\/08\/22\/the-northwest-mahler-orchestra-presents-messiaens-turangalla-symphony\/"},"modified":"2021-12-29T18:46:04","modified_gmt":"2021-12-30T02:46:04","slug":"20070822-01","status":"publish","type":"post","link":"https:\/\/devblogs.microsoft.com\/oldnewthing\/20070822-01\/?p=25463","title":{"rendered":"The Northwest Mahler Orchestra presents Messiaen&#8217;s Turangal\u00eela Symphony"},"content":{"rendered":"<p>On September\u00a09th, the newly-renamed <a href=\"http:\/\/www.nwmahlerorchestra.org\/\"> Northwest Mahler Orchestra<\/a> will be <a href=\"http:\/\/www.brownpapertickets.com\/event\/18996\"> performing the Seattle premiere of Olivier Messiaen&#8217;s <i>Turangal\u00eela Symphony<\/i><\/a> at Benaroya Hall.<\/p>\n<p>I first heard this piece back in the 1990&#8217;s in a live performance by the San Francisco Symphony. It&#8217;s a large, sprawling work, and I was wise to have attended the pre-concert lecture. With music as with language, I have a particular affinity for structure, and knowing how the piece is put together greatly improves my appreciation. There are unifying themes and devices, but it&#8217;s a big help when somebody points them out to you ahead of time so you can recognize them when they appear.<\/p>\n<p>The <i>Turangal\u00eela Symphony<\/i> is unique among all the works of Messiaen in that it is the only one that doesn&#8217;t suck.\u00b9 I tried to be generous in my <a href=\"https:\/\/devblogs.microsoft.com\/oldnewthing\/20060419-59\/?p=31463\"> overview of the 2006 Seattle Symphony season<\/a> and described Messiaen&#8217;s <i>L&#8217;Ascension<\/i> as <i>polarizing<\/i>, reserving the possibility that somebody might actually like it. (Nobody in my group did.)<\/p>\n<p>But <i>Turangal\u00eela<\/i> is different somehow. Not only does it not suck, it&#8217;s actually pretty neat.<\/p>\n<p>One of my colleagues wrote to me that he attended a performance of this piece about ten years ago by the <a href=\"http:\/\/www.houstonsymphony.org\/\"> Houston Symphony Orchestra<\/a> under <a href=\"http:\/\/www.christoph-eschenbach.com\/\"> Christoph Eschenbach<\/a>. &#8220;The performance was outstanding. About a third of the audience ran from Jones Hall with their fingers in their ears, and the rest stayed transfixed.&#8221;<\/p>\n<p>That sounds about right. I&#8217;ll be one of the people sitting there transfixed. Here&#8217;s <a href=\"http:\/\/www.youtube.com\/watch?v=Tv67YkOWJNA\">the fifth movement<\/a> if you want to see how you&#8217;d react. (By the way, that&#8217;s the <a href=\"http:\/\/www.nyo.org.uk\/\"> National Youth Orchestra of Great Britain<\/a>, maximum age: 19.\u00b2)<\/p>\n<p>In that video, the strange piano-like contraption played by the older woman is the <a href=\"http:\/\/en.wikipedia.org\/wiki\/Ondes_Martenot\"> ondes Martenot<\/a>, an electronic instrument that produces an etherial <a href=\"http:\/\/en.wikipedia.org\/wiki\/Theremin\"> theremin<\/a>-like sound. (Get to know it <a href=\"http:\/\/www.youtube.com\/watch?v=ybYIhomm5KM\"> up close and personal<\/a> in another YouTube video.) <a href=\"http:\/\/blogs.msdn.com\/jensenh\/\"> Jensen Harris<\/a> calls it &#8220;one of the most unlikely musical contraptions ever.&#8221; He tells me that an ondes Martenot and soloist are being flown in from France at great expense for the concert. (Incidentally, the pianist is also flying in from France.)<\/p>\n<p>Trivia: <a href=\"https:\/\/devblogs.microsoft.com\/oldnewthing\/20050720-14\/?p=34873\"> Performances of the Northwest Mahler Orchestra<\/a> are pretty much the only times you&#8217;ll find me and Jensen Harris in the same room. I&#8217;m in the audience; Jensen is on stage.<\/p>\n<p><b>Nitpicker&#8217;s Corner<\/b><\/p>\n<p>\u00b9Although this statement is presented as fact, it is actually my personal opinion. I do not know whether Microsoft Corporation officially takes the position that Messiaen&#8217;s music, with one exception, sucks, though if it were put up to a vote, I&#8217;d definitely vote in favor.<\/p>\n<p>\u00b2The maximum age applies to the orchestra members themselves, not to the conductor or guest soloists.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Love it or hate it.<\/p>\n","protected":false},"author":1069,"featured_media":111744,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[103],"class_list":["post-25463","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-oldnewthing","tag-non-computer"],"acf":[],"blog_post_summary":"<p>Love it or hate it.<\/p>\n","_links":{"self":[{"href":"https:\/\/devblogs.microsoft.com\/oldnewthing\/wp-json\/wp\/v2\/posts\/25463","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/devblogs.microsoft.com\/oldnewthing\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/devblogs.microsoft.com\/oldnewthing\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/devblogs.microsoft.com\/oldnewthing\/wp-json\/wp\/v2\/users\/1069"}],"replies":[{"embeddable":true,"href":"https:\/\/devblogs.microsoft.com\/oldnewthing\/wp-json\/wp\/v2\/comments?post=25463"}],"version-history":[{"count":0,"href":"https:\/\/devblogs.microsoft.com\/oldnewthing\/wp-json\/wp\/v2\/posts\/25463\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/devblogs.microsoft.com\/oldnewthing\/wp-json\/wp\/v2\/media\/111744"}],"wp:attachment":[{"href":"https:\/\/devblogs.microsoft.com\/oldnewthing\/wp-json\/wp\/v2\/media?parent=25463"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/devblogs.microsoft.com\/oldnewthing\/wp-json\/wp\/v2\/categories?post=25463"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/devblogs.microsoft.com\/oldnewthing\/wp-json\/wp\/v2\/tags?post=25463"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}